Friday, February 16, 2007

Advanced Warning
All things being equal, the new connect_icut LP should be available on March 6th. It's been pressed and will hopefully arrive on my doorstep within the next week. To celebrate, I'm doing a show at Chroma Books, in Vancouver. Here are the details in full...

thee holee see

Friday 9th March 2007
Chroma Books
4424 Main Street (@28th, upstairs) Vancouver

Doors 8, show 9
Entry by donation
Presented by CSAF, in association with Cast Exotic Archives and rundownsun

magneticring is Joshua Stevenson, ex-of Jackie-O Motherfucker, currently of Pink Mountaintops.

thee holee see is Josh Rose (aka Sick Buildings) and Larissa Loyva (ex-P:ano)

Wednesday, February 14, 2007

My (Bloody) Valentine Gift to You
The MBV rarities CDR that I've been compiling is still very much a work in progress. It's actually quite amazing how much stuff is out there, much of it freely available online (even without recourse to file-sharing networks). Here - because I love you - are links to a few particularly choice items...

"Colm's Song" aka "When You Wake You're Still in a Dream" Peel Session Version
"Sugar" (Extremely rare track, possibly from a flexidisc)
"You Made Me Realise" Live in Vancouver

Tuesday, February 06, 2007

Gnostic Blogtopia
At last, the second K-Punk post on The Fall arrives. For me, the most interesting upshot of this is that it actually illuminates what Current 93's Black Ships Ate the Sky is all about. David Tibet (or whatever we're supposed to call him now) has said that one the album's themes is his belief that the Roman Empire never ended. Turns out that Philip K Dick felt the same way. According to K-Punk: "Dick's intuition was that 'the Empire had never ended', and that history was shaped by an ongoing occult(ed) conflict between Rome and Gnostic forces". How Tibet squares this with his avowed Catholicism is beyond me.

Anyway, it's another fantastic post, well worth the wait and a great excuse for me to sit, cat in lap, and scrutinize Grotesque anew (as I did last night). Seems there's going to be a third installment, too. I suspect that this part is going to concentrate largely on Hex Enduction Hour but I hope that K-Punk will have enough courage to defy the current critical consensus and give my beloved Leckie Trilogy the attention it deserves.

Elsewhere, in Blogtopia, Woebot show us stills of Juana Molina's sitcom. Ay ay ay, no es bueno!

Thursday, February 01, 2007

It's the NEU Thing
As I'm sure you know, I am – like many other tragically nerdy 30-something men – very fond of compiling mix CDs. Boy have I been having fun making that My Bloody Valentine rarities CDR for myself.

Generally, I make two mix CDs for each season of the year – one collection of catchy choons I've been listening to and one more genre-based mix. Most recently, for example, I've been blessing my ungrateful friends with copies of Sam's Mix CD for Winter 2006/7 and The Acid Folk Volume Three (to be fair, people actually get quite excited about my UK folk compilations).

For Spring 2007, I'd been planning to make a mix showcasing artists from the rather nebulous scene that I've been calling the New Electronic Underground. I ran into a problem with this when I realised that I hadn't actually bought many of the albums from this scene that I'd been listening to at work (back when I still spent my days at the record store).

The problem is that I'm a vinyl snob and most of these albums have only ever come out on CD. To be fair to the artists and labels involved, they're probably losing a fair amount of money putting this stuff out at all and would almost certainly bankrupt themselves if they tried to release any wax. And I really want to give something back to these people (heaven knows, they probably need it). Honestly though, I can't buy a CD, without feeling like I've wasted my money.

I guess my feeling is that, while downloading has only served to strengthen the allure of vinyl, it's made CDs seem awfully obsolete. So what I'm saying is, I wanted to listen to this stuff at home and make a mix CD of the best tracks but I balked at paying a bunch of cash for a pile of stinking little silver discs which are really hardly any more desirable than downloads.

So, why not download it all for free, like everyone else? Well, aside from my aforementioned desire to give something back to those responsible, I've never really been into the downloading thing. Again this is due to my untrammeled snobbery. I'm a Mac snob see and - historically - peer-to-peer file-sharing networks have been the preserve of PC users.

Just recently, Saelan hipped me to the existence of Solarseek, a Mac equivalent of popular PC peer-to-peer application Soulseek. Solarseek is still very much a beta release but it really does work rather well. I've already used it to download a song from that new Damon Allbran album everyone's banging on about and I'm currently 256th in line to download the new album by The Fall.

By the time I discovered Solarseek, though, I'd already gathered most of the tracks for my NEU compilation using a mix of bought and borrowed CDs alongside downloads from record company websites. Most label websites only let you stream their MP3s, so I needed to discover a way of downloading these streamed files permanently to my hard-drive. Luckily, such a tool exists. It's a Firefox plug-in called Unplug and I named the resulting mix CD in its honour.

Below is an annotated track-listing of said compilation. Where relevant, I've put links to the MP3 streams that helped me harvest tracks for the mix. While I encourage you to employ UnPlug to permanently download these streams, I also urge you very strongly to go out and pay money for CDs by the NEU artists you enjoy the most. It's downright heroic that labels like Hapna and Apestaartje exist in the current climate and they probably won't be able to keep up their valiant efforts unless they receive some positive monetary feedback from the likes of you and I.

UnPlug: Sound from Above and Beyond The New Electronic Underground

1. Track 03 of Songs Sebastien Roux
This is a nice introduction to the world of current abstract electronic music and post-rock. Finger-picked acoustic guitar plus digital signal processing, pretty much sums up the whole scene. This is from the talented Frenchman's album on long-running minimal electronica label 12K. His CD Pillow (Apestaartje) is also highly recommended. Nic at Zulu told me about this guy.

2. Plans (extract) Giuseppe Ielasi
I first heard this Italian fellow at my friend Dave's house in Portland. As with Nickand Sebastien Roux, it was one of those “Listen to this, you'll love it” situations. I guess these folks know how I feel about Fennesz because his influence on both Roux and Ielasi is very much apparent, as it is throughout the whole New Electronic underground.

3. “Decay” M Rösner
Again, this is very representative of the NEU sound. Rosner has albums on Room40 and Apestartje. Mapadasical is a fan.

4. “Punked Up Fuck Attitude” Tsukimono
A particularly obscure one but it fits right in. Recommended by Lim, who informs me that Tsukimono is some guy from Sweden.

5. “What You Say?” Tu M'
An Italian duo who make the very radical move of combining electric guitars with DSP. They have a new album out on Japanese Touch affiliate Headz.

6. “In Every Tree a Heartache” 3/4HadBeenEliminated
Also, Italian, I think. Closely linked to Sweden's Hapna label and, like most of the artists associated with said label, more towards the post-rock end of the NEU. They seem to be getting some love from the free-folk/noise underground right now, which can only be good for their profile.

7. Track 04 of Sewn Mountains
Likewise these guys have been getting some props from the hipsters and if any NEU band is likely to build a decent-sized cult audience, it's Mountains. They run the Apestaartje label.

8. Track 03 of Rideau Tape
And these guys run Hapna. They're a really really fantastic Swedish post-rock trio.

9. “hauschkamp3” Hauscka
This time it's piano plus DSP. With more emphasis on the piano, generally.

10. Track 02 of Modern Ogurusu Norihide
Similarly, this guy emphasises the requisite acoustic guitar picking and only adds subtle smatterings of DSP. Bizzarely, I saw him support the Animal Collective on Vancouver's Downtown Eastside a couple of years ago (they're both related to the Carpark label).

11. “Campestral (Textured)” Greg Davis
Another Carpark artist. If Fennesz is the major influence of the scene, then Greg Davis is its prime mover. He was pretty early in on the whole bucolic Gastr del Sol-esque pick'n'glitch thing. Has also released albums out on Kranky, plenty of Vinyl and an excellent collaboration with Sebastien Roux.

12. "Swaying Curtain In The Window " Chihei Hatakeyama
Another Kranky artist. Another lovely waft of granular haze and acoustic guitar ruminations.

13. “Hundloka” (extract) Anders Dahl
Hapna artist with a more unconventional guitar style than most players on the scene.

14. Ghost Towns (extract) Lawrence English
This guy runs the very excellent Room40 label and has collaborated with Noriko Tujiko. Despite the name, he's actually Australian.

CDR copies of this mix (possibly with a slightly different track list) will be available upon request in the springtime. For now, just enjoy those downloads. And buy buy buy!

Bye Bye.